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Help, Help, the Globolinks,
an opera by Gian Carlo Menotti, 1-Disc DVD,
Art Haus Musik, distributed by Naxos in Canada, UPC Code: 807280128192

Edith Mathis as Emily

Dr. Stone takes to
the air!

Arlene Saunders as Mme Euterpova
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By Alidë Kohlhaas
It seems a bit of an irony to anyone who
enjoys Gian Carlo Menotti's music that shortly after his death on February 1, 2007,
the original version of his children's opera, Help, Help, the Globolinks,
made a reappearance via DVD. Produced on full-color DVD by Arthaus Musik and
distributed in North America by Naxos, this truly delightful work was a gift
to all of those young-at-heart when it premiered in 1968 at the Hamburg State
Opera. The composer was 57 years old at the time, when outer space still had a
very different meaning than it does today. Bringing out this DVD is a fine
tribute to the founder of the Spoleto Festival, and the composer of Ahmal
and the Night Visitors.
 The DVD features the Hamburg Philharmonic State Orchestra conducted by
Matthias Kuntzsch, and the opera was directed by Menotti. The lighting and
set design, so all important in this sci-fi opera, was by Nicolas
Schöffer, who was also responsible for the "Globolinks". He is famous for
being the inventor of cybernetic art. The costumes and the choreography were
by Alwin Nikolais, an award-winning choreographer, composer and designer.
Both men died some years ago. Conductor Kuntzsch, who has a long history of
conducting in Germany, emigrated to the United States with his family in 1989
and is, among others, the music director of the Bay Area Summer Opera Theater
Institute in San Francisco.
Looking and listening to an opera that had its premiere in 1968, one
realizes very quickly that the majority of the performers, the Children's
Chorus of the North German Radio (NDR) excluded, have long since either
retired from active singing or are no longer among us. This makes this
delightful work, which is infused with humor as well as with suspense, all
the more precious as its cast is a collection of international singers.
They, in true opera fashion, came together to give us—
children and adults alike—a 71-minute respite from daily cares.
The story contains a message that all schools and parents should heed.
When the world is invaded by outer space Globolinks, the only remedy against
them is music. It seems they are literally allergic to music, especially
when produced by musical instruments. The director of a co-educational
private school, Dr. Stone, in some unknown country
the names of students and most teachers are in English—
is the only one who does not know how to play an instrument. He doesn't
even care whether or not the children took their instruments along on
their summer vacation to keep up their musical skills. Needless to say,
something strange happened to the gent, sung by the late American baritone
Raymond Wolansky. He was perfect for the role and certainly will continue to
entertain children for a long time to come, thanks to this DVD.
Music teacher, Madame Euterpova, was sung by American soprano Arlene
Saunders. The lady, despite her disappointment in Dr. Stone's
lack of musical acumen, is determined to marry him. Ah, will she get the
chance now that the Globolinks have arrived on Earth? American baritone
William Workman sings the chauffeur, Tony. It is he who sends Emily, the
only child who took her instrument with her on her vacation, to find
rescuers when they are all stranded in a strange countryside, surrounded by
Globolinsk. Will she succeed? Emily is sweetly sung by Swiss soprano Edith
Mathis. We must not forget the comical major domo of the school, Timothy,
who plays a mean tuba, performed by the late tenor Kurt Marschner. The
remaining members of the cast are also well chosen for their brief but
important parts.
The German text tells us that the opera is for "children and anyone who
likes children." I prefer to say it is for all those who are young at heart,
whether nine or 90. Now one wishes that some opera company not far from here
will take a look at this DVD and decide that it might be a good idea to add
this Menotti work to its repertoire. After all, is it not important to create a
new generation of opera lovers? What better way than to introduce them
via a work that uses modern sounds and needs modern staging and lighting to
bring a very old message across: "Life without music is very impoverished."
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