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Dial M for Murder
is definitely a play
that should not be missed. It runs at the Dofasco Centre for the Arts until
Feb. 4.
 
Left to right:
Peter Millard (Hubbard), Peter Krantz (Tony),
Helen Taylor (Margot)
Don Carrier (Max)
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By Alidė Kohlhaas
When Alfred Hitchcock released Dial M for
Murder in 1954, its posters had the headline: It holds you spellbound with
suspense! For those of us of a certain generation, this spine-tingler will
hold fond memories of a graceful Grace Kelly in a triangle with Ray Milland
and Robert Cummings in the film based on Frederick Knott's play.
Now Theatre Aquarius in Hamilton has staged
Dial M for Murder, which first made its appearance in London's Westminster Theatre
and on Broadway in 1952. Theatre Aquarius made a good mid-winter choice with
this thriller that poses the question: Is there such a thing as a perfect
murder? Well, theatre goers will find out, for the villain of this piece is
convinced he has it all worked out, and I am not about to tell if he it
right or not. One thing I will say is that the Hitchcock poster headline
holds for this production.
This latest incarnation of Dial M for
Murder M standing for Maida Vale manages to capture exceedingly well the
feel of its original period and London setting with its set design and with
the wonderful costumes, especially those worn by the leading lady, Helen
Taylor, in the role of Margot Wendice. This is definitely a trip down memory
lane for anyone who recalls the 1950s and '60s. For a younger generation it
is a lesson on how to craft a good thriller without showing even a single
drop of blood.
Director Marcia Kash got her start at
London's Royal Court Theatre, a place where I spent many hours learning
about things theatrical. This Sloane Square theatre is a good place to begin a theatre
career, and Kash turned out to be a good student judging by this successful
production. It is well paced, and manages to thrill and chill as it should.
The five main characters of this play never overshadow each other, and work
together as if in an ensemble. Importantly, they produce the appropriate
accents to give the play further authenticity.
Peter Krantz plays Tony Wendice, an
ex-tennis pro, who has married Margot for her money, although she doesn't
quite realize it. Yet, she is unhappy enough in the relationship to have
formed an attachment to an American crime fiction writer, Max Halliday,
played by Don Carrier. Tony, determined to hang onto his wife's money,
decides to settle down when he discovers Margot visiting Max at his flat.
But, Tony is a schemer. He purposely meets up with a former university
classmate, who, when they first meet again, goes by the name of Captain
Lesgate. Quickly we learn that Lesgate, played by Ivan Sherry, is a rather
shady character and so is easily blackmailed into doing Tony's bidding.
The final important character in the play
is Inspector Hubbard, who reminds one of Peter Falk's Lt. Columbo because
he has the same habit of using the "by the way" phrase just as he appears
to leave the scene. Since Inspector Hubbard preceded Lt. Columbo, one may
take it that the writer[s] of Lt. Columbo borrowed from Knott's play. He, by
the way, also wrote that other spine-chiller, Wait Until Dark, which in its
film version starred Audrey Hepburn.
Photo
courtesy Theatre Aquarius
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